For some twenty years Mars Bar, on the corner of First Street and Second Avenue, Manhattan, has been my bar. That's where we went for beer and tequila whenever we had to take a break from our work at Anthology Film Archives, and it was also a bar where most of those who came to see movies at Anthology ended up after the shows. We always had a great time at Mars Bar. It was always open, there was always the juke box, and very often there was no electricity, and it was old and messy and it didn't want to be any other way — it was the last escape place left downtown New York. So this is my love letter to it, to my Mars Bar. Mars Bar as I knew it.

The director’s granny Zina had lived in Ukraine, Russia, Belarus, and, after retirement, she moved to Crimea. Cheerful and bossy, she has always been uniting the big family. After the annexation of Crimea by Russia, visiting her has become an endless hustle. The place has turned into ‘a distant planet’, like Mars, and its environment is unfriendly towards the lonely woman. For many reasons, the time has come for her to make a crucial decision.

Margot, a brilliant young scientist with a troubled marriage, disappears inexplicably while hiking with her husband Sam and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

It narrates the obstacles Sebastian Delgado, a slacker and aspiring writer faces when, to win the love of a beautiful girl, finally decides to do something: a movie.

For some time I had been thinking about doing something with my Paris footage, of which I have many many hours. So [curator Danièle Hibon’s] suggestion [to make a new work celebrating 20 years of cinema at the Jeu de Paume museum] came just in time. I spent some three months going through my Paris footage and I managed to reduce it to the length you will be seeing, two hours and 39 minutes. It was very very hard to do so. I have so many friends in Paris, so many memories – and it’s all on video. So this is my love letter to Paris. To its streets, to the river Seine, to its cafes, bistros, bars, to the jambon de Paris, and, especially, to all of you, my Paris friends!

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he`s come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam`s expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It`s a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

The American Dream, who wants it? Everyone! Dave HAS the American Dream and hates it. As a young man, a pushover, and a bookworm, Dave grew up with good grades, received a college degree, and now works in a cubicle. Dave's best friends are gas station workers, video game addicated secretareis, and eccentric stock brokers who hate the evil fast food McDucks corporate but are quite happy. During Dave's friends' quests to help him find true happiness, trouble arises when Dave falls for an employee of McDucks. Now he must keep his friends from knowing he's found happiness within the walls of their most hated entity while they are desperately fighting to pull him out of his depressed darkness!

Documentary about the scam performed by Ismael Prego (Wismichu) at the Sitges Festival with the screening of the video "Bocadillo" and directed by Carlos Padial dealing with the reactions of the public and the media before the event.

Kake Make's six adventures, starting at home, will soon expand to various magical corners of the world where she will meet her imagined friends monsters, pirates and even travel to the Tooth Fairy's feast.

Inspired by the announcement of his mother's wedding, filmmaker Simon Ruscinski feels compelled to make a movie for her. It takes much longer than anticipated.